人物 Nastassia · 设定图
对应提示词第一段人物参考 <<<ff948aa7…>>>;主帖第二张图原件(1600px 压缩)

▸查看完整出图提示词(点击复制区)
作者未公开这张设定图的出图提示词。
成片拆解Seedance 2.5 双层芝士汉堡广告:压肉饼、抛饼、切番茄、淋芝士、一刀插穿,14 个镜头硬切 15 秒。
结构:压肉饼微距 → 人物亮相 → 食材快切 → 组装 → 推板 → 一刀插穿定格
看完成片再对照:这条片子靠什么在几秒内抓住人。点时间可跳到成片对应位置。
第 0 秒直接是铁板上铲子把牛肉球压扁的低角度微距,约 2s 切到穿 NastassiaVideo 围裙的她抬眼看镜头。
约 3–4s 铲起肉饼、手腕一抖把肉饼抛起;约 5s 刀切番茄;约 6s 生菜叶逆光;约 7s 芝士淌过肉饼边缘。
约 8s 双层芝士汉堡成品;约 9s 手指把芝麻顶盖按上;约 10–11s 她把木板推向镜头,镜头后退露出人。
约 12s 她拿起主厨刀;约 13–14s 刀从顶盖正中插穿整个汉堡;约 15s 刀立在汉堡上,她站在后面看镜头定格。
开头三段先写人物、产品、场景三张参考的文字说明,再逐镜头写「镜头焦段 + 动作 + 镜头怎么加速/刹车 + <音效>」,最后用一段总运镜规则统一节奏。
别急着上视频模型。这个片子的秘密是:先把角色和场景锁死,再一次生成 14 个镜头。
提示词开头三段分别描述人物 Nastassia(灰蓝眼睛、浅棕层次中长发、黑 T 恤、印白字 NastassiaVideo 的黑围裙)、双层芝士汉堡(芝麻布里欧修面包、两块压扁牛肉饼、切达芝士、生菜、番茄、紫洋葱、酸黄瓜、酱,层序固定)和暗调专业厨房,每段末尾挂一个参考图占位符。作者在主帖贴出了人物 Nastassia 的设定图(正脸、侧脸、背面发型、围裙正背面全身),对应第一段的人物参考占位符;汉堡和厨房两张参考图作者没有公开。
总述写 ARRI Alexa 35 质感、24fps、胶片颗粒、90% 画面是深青灰阴影、只留一处琥珀色火光。随后 Shot 1–14 每条都写焦段(24/35/50/85/100mm)、动作、镜头怎么急推急刹,以及尖括号里的音效,比如 <heavy dull thud, aggressive sizzle>。
最后一段总规则:冲向动作、在质感上刹车、放进下一刀;广角和微距交替;只在压肉、抛饼最高点和最后一刀用变速;不要环绕、数码变焦、漂浮食材、台词、字幕和片尾字。整段贴进 Seedance 2.5 一次生成。
推荐用 GPT Image / 同等图模,比例 4:3。每张点开即可复制完整英文提示词。
对应提示词第一段人物参考 <<<ff948aa7…>>>;主帖第二张图原件(1600px 压缩)

作者未公开这张设定图的出图提示词。
方便你对照成片理解每一镜在干什么。
直接全选复制到 Seedance。@Image 1–1 必须对应上面 REF 编号。
Seedance 2.5 · 16:9 · 英文完整提示词(作者贴出的提示词截图,逐字转录)
Nastassia — grey-blue eyes, layered light-brown medium-length hair, natural skin texture, body proportions, black T-shirt, black apron with exact white lettering "NastassiaVideo", black trousers, bare hands, no jewelry — facial identity and wardrobe reference <<<ff948aa795194c81bcf50e89bee4d1b3>>>. Signature premium burger — sesame brioche bun, two smash beef patties, melted cheddar, lettuce, tomato, purple onion, pickles, sauce, strict layer order preserved — product reference <<<Element_Бургер_На_Доске_key_img>>>. Dark professional cooking stage — charcoal-metal counter, cast-iron griddle screen-left, dark walnut board centre, skillet on rear gas burner with open flame, near-black background, neutral soft side key light, warm amber firelight rim, deep negative fill — scene reference <<<Element_Кухонная_Сцена_Гриль_key_img>>>. Single continuous 18-second cinematic food commercial. ARRI Alexa 35 look, 24fps, fine film grain, controlled highlight roll-off, deep teal-charcoal shadow tones dominating 90% of frame, single warm amber practical flame accent. Hard editorial montage across 14 distinct phases with fast camera accelerations, braking textures, motivated scale changes, and short speed ramps. Shot 1 — SMASH: Extreme low griddle-level macro (85mm). Spatula drives beef ball hard onto hot steel mid-action; fast camera push with recoil on impact. Brief slow-motion shows meat spreading laterally, fat droplets scattering, steam rising. Return to real speed as spatula lifts. <heavy dull thud, aggressive sizzle>. Shot 2 — FACE REVEAL: Low medium shot (35mm). Camera rises fast from her hand and "NastassiaVideo" apron lettering up to her face and brakes. She raises her eyes directly into lens with a controlled, confident half-smile. Warm burner flare rims her shoulder and hair. <guitar riff enters>. Shot 3 — CRUST SCRAPE: Extreme macro (100mm). Spatula blade races laterally under browned patty, camera tracks alongside then brakes as crust peels from hot steel. Fat bubbles visible at patty edge. Blade rises and partially occludes lens as cut approaches. <metal scrape, sizzle>. Shot 4 — TOSS AND CATCH: Low close shot (50mm). Wrist flick launches patty above skillet; camera arcs upward briefly. Brief slow-motion at apex — patty suspended, juice droplets frozen. Snap to real speed, camera dips and brakes on sizzling pan landing. One intact patty settled in skillet. <sizzle burst on landing>. Shot 5 — TOMATO CHOP: Board-level macro, tight on the tomato and knife blade. Knife descends fast and strikes the tomato with full physical force — blade makes hard, clear contact with the walnut board in a single decisive downward chop; camera fires a rapid short push-in toward the blade at the instant of contact then immediately snaps into a sharp pull-back, creating a percussive whip recoil; tomato half falls forward toward lens. <sharp hard chop impact, blade-on-board crack>. Shot 6 — ONION SNAP: Tight overhead on purple onion ring at board surface. Knife comes down fast and clean — blade hits board with crisp audible contact, onion ring separates and drops flat; camera fires a short aggressive diagonal whip-slide right on the beat of impact then brakes hard; knife exits frame right with momentum. <dry sharp crack, blade-on-board snap>. Shot 7 — LETTUCE: Close macro. Rinsed lettuce leaf snapped once, releasing water droplets outward. Camera tracks right alongside ruffled edge. Backlit veins and droplets catch warm rim light. Quick rightward whip into next cut. <wet snap, droplets>. Shot 8 — CHEDDAR EDGE: Camera enters moving right, brakes into extreme macro. Melted cheddar folds over hot patty edge, glossy against dark seared crust. One fat bead travels slowly down the cheese face. Camera holds readable pause on texture. Shot 9 — DOUBLE DROP: Low close-up on dressed bottom bun — sauce pooled, lettuce layered, tomato placed. Two cheddar-covered patties arrive on spatula from above; camera surges toward them as she slides the stack onto the bun. Camera brakes on landing; cheese folds outward. Exactly two patties, stacked. <bass accent, heavy settle>. Shot 10 — CAP IT: Tight three-quarter overhead. Fingers lower sesame top bun onto onion, pickles, and sauce layer. Camera descends fast with bun. Soft bounce settle as bun seats; fingertips withdraw from frame. Finished burger matches reference proportions exactly. <soft compression>. Shot 11 — MACRO RUSH: Extreme side macro (100mm). Fast lateral pass across seared crust surface. Camera brakes at hanging cheddar edge and sauce bead. Foreground lettuce ruffles across lower frame revealing stack depth. Sharp texture held. Shot 12 — BOARD CHARGE: Low wide (24mm) aligned with walnut board. She drives the board forward, burger rushes toward lens as camera retires matching movement then travels slightly farther back, revealing her face and apron behind the burger. Board stops with wooden knock, camera brakes with natural inertia settle. Her hand releases the board edge. <wooden knock>. Shot 13 — THE WINDUP: Medium close three-quarter (50mm). Her right hand lifts chef's knife from beside the board. Camera pushes and tilts upward tracking blade steel — reflection travels along flat of knife. Knife point rotates downward above burger crown. Her left hand rests clear beside her body. She locks focused gaze toward lens. Brief musical dropout. Cut begins as downward stroke initiates. <silence before impact>. Shot 14 — KNIFE / IMPACT / REVEAL (one continuous final shot, 35mm): Rapid downward tracking whip-tilt follows hand and blade — knife penetrates centre of sesame bun crown and drives through all burger layers, tip lodging in walnut board; camera brakes hard at burger height on contact. Brief impact slow-motion: bun compresses around blade, sesame seeds scatter, cheddar shifts slightly, one tight camera recoil. <heavy wooden THUNK, final guitar hit>. Resume real speed — she releases handle and withdraws hand; camera accelerates backward and upward in a short 20-degree side arc, strong foreground parallax keeping knife handle dominant and clear of her face. Camera decelerates into stable hero composition: burger with embedded vertical knife dominating foreground, Nastassia behind with visible "NastassiaVideo" apron lettering, small satisfied smile, direct gaze into lens. Hold final image with subtle handheld breathing. (Heavy modern instrumental rock — tightly muted guitar, punchy bass, dry drums — guitar chord fades over faint grill sizzle). Overall camera choreography: accelerate toward action, brake on texture, release into next cut; alternate 24–35mm tracking wide shots with 85–100mm macro close-ups; wide lenses stay away from her face; vary movement direction with matching whip transition axes; speed ramps only on meat compression, patty apex, and final knife contact; strong foreground parallax throughout; controlled handheld inertia; short recoil on major impacts only. No continuous orbit. No digital zoom. No floating ingredients. No camera crossing solid objects. No prolonged slow motion beyond designated ramps. No speech. No vocals. No subtitles. No end title. No BAKU branding. No music added by model.
当前是单页静态站:视频 + 指引 + 可复制提示词。后面可以做成多教程列表、账号、收藏提示词、一键复制、手机竖屏版等。