成片拆解蒙面女侠在酒馆轻松打趴三个劫匪，撞窗逃出跳上黑马，却被树枝扫落，只能追着马跑。
结构：酒馆打斗 → 撞见追兵 → 撞窗逃跑 → 吹哨跳马 → 被树枝扫落追马
看完成片再对照:这条片子靠什么在几秒内抓住人。点时间可跳到成片对应位置。
第 0 秒劫匪的剑从画面左侧刺过来，蒙面女侠在昏暗的酒馆里单手格挡。
约 2.5–4s 撑桌翻越，劫匪扑空滑过桌面；约 4–6.5s 一脚把第三个劫匪踢进木桶堆；约 9–11.5s 她的脸部近景，身后门口进来一群持枪的人。
约 14.5s 肩膀撞碎百叶窗冲到街上；约 16s 两指放进嘴里吹口哨；约 17–19.5s 黑马跑来刹停，她跳上马背。
约 23–25.5s 迎面的树枝把她从马上扫下来；约 26–29s 她爬起来追马；约 30–32s 远景圆形遮罩收成黑场。
每个镜头都写到 0.1 秒的时间码，并在动作之后塞一个短表情反应（挑眉歪嘴、瞪眼咽口水、咬紧牙），再用 HARD CUT / WHIP PAN / SMASH CUT 连起来，喜剧节奏靠这些反应停顿。
别急着上视频模型。这个片子的秘密是:先把角色和场景锁死,再一次生成 11 个镜头。
作者在回复里贴了角色 Medianoche 的设定图（正脸、侧脸、背面、全身正背面，外加身高 158cm、声音、性格说明），就是提示词里的 @Image1。帖文写的工具是 Seedance 2.5、GPT-2、Claude，没说各用在哪一步。设定图已收录（原图 1672x941，压到 1600px）。
REFS 锁脸和服装；FORMAT 定死 11 个镜头、30 秒；再写 GENRE AND COMEDY、PACING LOCK（每个镜头 0.2 秒内开始动作、打斗像 18fps 拍 24fps 放）、MIMICRY LOCK（挑眉、歪嘴笑、瞪眼等 8 种微表情）、VISUAL STYLE、场景 / 道具 / 马的连贯性。
每个镜头写景别、机位、精确到 0.1 秒的动作、SFX，以及 HARD CUT / WHIP PAN / AUDIO BRIDGE / SMASH CUT 等转场词。跳马那一镜作者单独写了方向锁（要求面朝马尾反坐）；结尾写明 29.5 秒开始圆形遮罩、30.0 秒刚好黑场。最后用 FINAL CONSTRAINTS 把所有要求再列一遍。
推荐用 GPT Image / 同等图模,比例 4:3。每张点开即可复制完整英文提示词。
作者回复区图片原件 HRQ-HUvXsAM3f4O（1600px 压缩）· AI 角色设定图
作者未公开出图提示词。视频提示词中的用法：@Image1 is the only character reference for Medianoche — same face, facial geometry, body proportions, hat, mask and cape in every shot.
方便你对照成片理解每一镜在干什么。
直接全选复制到 Seedance。@Image 1–1 必须对应上面 REF 编号。
Seedance 2.5 · 16:9 · 英文完整提示词（作者回复里的提示词长图，逐字转录）
REFS: @Image1 is the only character reference for Medianoche. Keep Medianoche identical to @Image1 in every shot. Preserve exactly the same face, facial geometry, eyes, nose, lips, body proportions, hairstyle, hair length, hat, mask, corset, cape, gloves, trousers, boots, belt, rapier, scabbard and accessories. Never redesign, beautify, age, de-age or reinterpret her. SCENE (0:00–0:30) — PLAYFUL FIGHT → COMEDIC SLIP → REAL THREAT → ESCAPE → BACKWARD MOUNT → FALL → CHASE FORMAT: exactly 11 shots and exactly 30.0 seconds. Preserve the source/reference aspect ratio. GENRE AND COMEDY: A fast, playful 1930s–1940s Technicolor swashbuckling comedy in the spirit of an old theatrical adventure film. The humor is physical, elegant and deadpan: Medianoche always tries to remain dignified while increasingly ridiculous accidents happen around her. The comedy must never become cartoon animation. Human bodies retain realistic weight, balance and momentum. Expressions are clearly readable but remain natural. PACING LOCK: • no empty pauses or static posing • every shot begins a new action within its first 0.2 seconds • no expression is held longer than 0.5 seconds unless explicitly described as a reaction beat • fight movement is brisk and slightly undercranked, resembling action photographed at 18fps and projected at 24fps • horse movement, window impact and fall use realistic speed and weight • use quick whip-pans, snap reframes and short reaction holds to create vintage comic timing MIMICRY LOCK: Medianoche communicates through precise micro-expressions: • one raised eyebrow • restrained crooked smirk • quick amused glance • brief genuine nose-laugh • sudden wide-eyed alarm • tight jaw when embarrassed • stunned dignity after falling • breathless frustration during the chase Her facial identity must not change while her expression changes. VISUAL STYLE: • photographed like an aged early-Technicolor adventure film • warm cantina oil lamps, deep shadows and bright window light • exterior lit by low late-afternoon sun with long shadows and hard rim light • faded warm highlights, deep black costume, dusty golden atmosphere • natural skin tones with no muddy yellow filter and no sepia • visible fine 35mm grain, subtle gate weave, soft halation, occasional light scratches and gentle film flicker • authentic vintage optical circular iris ending LOCATION CONTINUITY: The cantina stands at the edge of a frontier town. Its dusty main street continues directly into a tree-lined dirt road. The cantina exterior, hitching post and several distant frontier buildings remain visible during the exterior sequence. All exterior shots take place on this same continuous road. OBJECT CONTINUITY: • Medianoche's cape remains attached to her shoulders throughout and is never removed • her rapier is returned to its scabbard in Shot 1 and remains securely sheathed at her right hip afterward • her hat and mask remain fixed during the vault, kick, window crash, horse ride, fall and chase • no duplicated cape, weapon or accessory • no disappearing or changing costume elements HORSE CONTINUITY: One realistic riderless black horse with a brown leather saddle. Heavy grounded quadruped with correct four-leg anatomy, natural gallop cycles, hard hoof contact, realistic braking, dust displacement and authentic momentum. No merged legs, extra limbs, sliding hooves or changing saddle. SHOT 1 (0:00–0:02.5) — ECU TO MS — PLAYFUL PARRY Camera: eye-level frontal axis with a rapid vintage dolly pullback. 0:00–0:00.35: a bandit's blade suddenly rushes toward the lens from screen-left. 0:00.35–0:00.60: Medianoche parries it with one tiny, effortless wrist movement. Steel makes clearly visible contact with steel. 0:00.60–0:01.40: camera rapidly pulls backward into a medium two-shot. The bandit strains against his sword while Medianoche barely moves. 0:01.40–0:01.90: she flicks his blade aside and smoothly returns her rapier to its scabbard. 0:01.90–0:02.50: without looking at the bandit, she raises one eyebrow and forms a small crooked smirk. Hold the expression for one short vintage-comedy reaction beat. SFX: sharp steel ring, leather movement, quick cloth shift. Diegetic saloon piano and fiddle begin a brisk playful rhythm. HARD CUT TO: SHOT 2 (0:02.5–0:04.5) — MWS — TABLE VAULT Camera: energetic handheld tracking lead moving backward and slightly left. A second bandit lunges from Medianoche's right. She sidesteps at the final possible moment, plants one gloved hand firmly on a round table and performs one clean one-handed vault. Her palm compresses against the tabletop and the table tilts slightly under her weight. Both boots land solidly on the floor beyond him. The bandit misses her and slides chest-first across the tabletop, knocking over two empty cups. Medianoche gives him one quick amused glance over her shoulder and releases a short genuine laugh through her nose without stopping. Her cape remains attached and streams behind her. SFX: table creak, boots landing, cups clattering, body hitting wood. MOTION MATCH CUT TO: SHOT 3 (0:04.5–0:07.0) — MS — KICK AND BARRELS Camera: low profile handheld at 90°, opening slightly toward frontal as the kick lands. A third bandit charges clearly from screen-left. Medianoche pivots on one planted boot and drives her other boot into his midsection. Show clear boot-to-body contact. He folds from the impact and flies backward into stacked barrels. Two barrels break apart and one intact barrel rolls toward Medianoche. Without looking down, she calmly lifts one boot and allows the rolling barrel to pass beneath it. She places the boot back on the floor, raises her chin and gives the fallen bandit a tiny satisfied smirk. SFX: dull body impact, cracking wood, rolling barrel. The saloon piano briefly accents the barrel impact, then continues. HARD CUT TO: SHOT 4 (0:07.0–0:10.0) — MCU — COMEDIC SLIP TO REAL THREAT Camera: frontal handheld medium close-up with focus locked on Medianoche's face. 0:07.0–0:07.7: a loose barrel stave rolls under her heel. She unexpectedly slips one short step. Her arms make one quick undignified balancing movement. 0:07.7–0:08.1: she instantly regains perfect posture, straightens her hat and cape and looks forward with a deadpan expression as if nobody saw anything. 0:08.1: the far cantina door violently bangs open. Four armed men enter behind her as blurred silhouettes. The piano and fiddle stop abruptly on the door impact. Her deadpan confidence disappears. Her eyes widen, brows tighten, lips part slightly and one visible swallow moves through her throat. She looks toward the armed men, then snaps her gaze toward the shuttered side window and turns hard. No dialogue and no speech-like lip movement. SFX: tiny boot skid, door impact, sudden musical stop, incoming boots and shouts. WHIP PAN TO: SHOT 5 (0:10.0–0:12.0) — MWS — FAST ESCAPE Camera: handheld tracking lead matching her running pace and moving backward through the tables. Medianoche accelerates into a hard run. She curves around one table, narrowly avoids a chair and ducks beneath the arm of an incoming bandit without slowing. The bandit's hand misses her hat by only a few centimetres. Her eyes flick upward toward the hand, followed by one irritated side-glance while she continues running. The shuttered window remains visible directly ahead. At the end of the shot, she lowers her shoulder and raises her left forearm across her face. SFX: fast boots, chair scrape, cloth snap, pursuing shouts. HARD CUT TO: SHOT 6 (0:12.0–0:14.5) — PROFILE WS — WINDOW CRASH Camera: profile 90° wide shot showing the cantina interior, the window and the street outside. Medianoche reaches the wooden shutters at full running speed and hits them shoulder-first. Her shoulder makes visible physical contact before the wood breaks. The shutters burst outward into several readable wooden pieces and small splinters. Her body slows slightly from the resistance before continuing through under its original momentum. She lands outside with one boot followed by the other, takes two unsteady recovery steps and regains her balance. One loose shutter panel lands behind her with a delayed wooden clatter. She flinches for a fraction of a second, then immediately restores her dignified posture. Lighting shifts naturally from warm lamplight to bright late-afternoon sun. SFX: heavy shutter crack, wood fragments, boots striking dirt, delayed wooden clatter, wind rush. HARD CUT TO: SHOT 7 (0:14.5–0:16.5) — CU — WHISTLE Camera: static three-quarter 45° close-up with subtle vintage operator breathing. Using only one hand, Medianoche places exactly two gloved fingers between her lips and produces one sharp whistle. Her other hand remains lowered near the sheathed rapier. Her eyes scan left, then right in two quick precise movements. For one brief beat she wears a confident "problem solved" expression. Approaching hoofbeats immediately wipe away the smirk. She turns sharply toward the sound. SFX: one clear whistle, wind, rapidly approaching horse. AUDIO BRIDGE TO: SHOT 8 (0:16.5–0:20.5) — PROFILE WS — BACKWARD MOUNT PUNCHLINE Camera: one unbroken eye-level profile wide shot. Keep Medianoche and the entire horse visible from hooves to hat. Do not cut away or hide the mount with dust, cape or camera movement. 0:16.5–0:16.8: Medianoche stands visibly alone on the ground at screen-right. The horse is not yet beside her. 0:16.8–0:17.7: the riderless black horse gallops into frame from screen-left. 0:17.7–0:18.1: the horse performs a heavy grounded skid and comes to a complete stop directly in front of her. Dust moves forward from the braking hooves. Medianoche remains visibly separate from the horse. 0:18.1–0:18.8: only after the horse has fully stopped, she jumps from the ground and lands with full body weight in the saddle. CRITICAL COMEDY AND ORIENTATION LOCK: She lands facing the horse's tail. Her face, chest and knees point toward the tail. The horse's head is behind her back. She must not face the horse's head. 0:18.8–0:19.7: hold the wide view to prove the backward orientation. The saddle compresses beneath her weight. Medianoche looks down and discovers the horse's tail directly in front of her. Her eyes widen. She slowly turns only her head over one shoulder, sees the horse's head behind her and blinks once with stunned embarrassment. Her body remains facing the tail. She tightens her jaw and grabs the rear cantle instead of the reins, trying to pretend the mistake was intentional. 0:19.7–0:20.5: the horse suddenly launches forward while she is still seated backward. Her torso jerks realistically from the acceleration. SFX: hoof skid, dirt spray, saddle thud, leather creak, sudden gallop. HARD CUT TO: SHOT 9 (0:20.5–0:24.5) — LATERAL MWS — BRANCH FALL Camera: lateral profile tracking matching the horse. Keep the full horse and Medianoche's backward orientation readable. The horse gallops along the same road. Medianoche remains facing the tail, holding the cantle and bouncing awkwardly while trying to maintain a dignified expression. Because she is facing backward, she cannot see the low branch approaching from behind her back. At 0:21.3 the thick branch strikes across her upper back and shoulders — never across her chest. Only the 0.5 seconds immediately surrounding branch contact play at 40% speed. During this brief slow-motion beat, her confident expression transforms into wide-eyed realization. Return immediately to normal speed. The branch lifts her cleanly from the saddle while the horse continues beneath her. Authentic momentum carries her through one airborne rotation. She hits the dirt with her shoulder and side, rolls once and stops in a small dust cloud. She lies still for half a beat, then slowly pushes onto one elbow. Her hair is dusty, but her hat and mask remain attached. She exhales through her nose and looks after the horse with stunned, wounded dignity. SFX: wooden impact, short grunt, heavy dirt impact, cloth rolling, receding hoofbeats. SMASH CUT TO: SHOT 10 (0:24.5–0:28.5) — REAR MS — BREATHLESS CHASE Camera: rear handheld tracking follow with natural vertical bounce from each footfall. 0:24.5–0:25.2: Medianoche scrambles upright without teleporting. She briefly wobbles, catches her balance and immediately runs. 0:25.2–0:25.8: she accelerates after the horse. Her boots strike packed dirt, small dust clouds appear at every step and her cape snaps behind her. At 0:25.8 she throws one arm toward the retreating horse and shouts in American English, in a low chest-resonant alto becoming breathless and ragged: "Wait! Wait for me!" Immediately after the final word she pushes into one last desperate burst of speed. Her hat tilts slightly from the running. Without slowing, she slaps it straight with one hand and continues chasing the horse. The camera gradually allows Medianoche to become smaller in frame as the horse increases the distance. No other spoken words. No music underneath the dialogue. CUT TO: SHOT 11 (0:28.5–0:30.0) — HIGH-ANGLE EWS — VINTAGE IRIS Camera: high-angle rear static extreme wide shot of the same dusty road. Frontier buildings remain visible near the cantina, with trees farther down the road. Medianoche continues running after the black horse. Both figures steadily shrink into the distance. A faint playful saloon-piano motif returns only after her dialogue has finished. The full rectangular image remains visible from 0:28.5 until exactly 0:29.5. At exactly 0:29.5 a vintage circular iris begins closing around Medianoche and the horse. The iris closes smoothly for exactly 0.5 seconds and reaches complete black only on the final frame at exactly 0:30.0. No black hold after the iris closes. SFX: hoofbeats, running footsteps and wind gradually recede. FINAL CONSTRAINTS: • exactly 30.0 seconds • exactly 11 separately timed shots • fast comic rhythm with no dead time • dynamic but readable fight choreography • expressive natural facial acting in every reaction shot • old Technicolor swashbuckling comedy, not modern action and not cartoon slapstick • Medianoche remains identical to @Image1 throughout • no face, mask, hairstyle, body or costume drift • cape remains attached throughout • rapier remains sheathed at the right hip after Shot 1 • no teleportation between locations or actions • horse must arrive riderless • Medianoche must remain visibly on the ground until the horse fully stops • show her complete jump and saddle contact without obstruction • she lands facing the horse's tail and remains backward • branch strikes her upper back and shoulders because she is facing backward • realistic horse anatomy, gait, weight and hoof contact • authentic human weight during vault, kick, window impact, saddle landing and fall • no subtitles, captions, logos or on-screen text • no extra dialogue • no background music during "Wait! Wait for me!"
当前是单页静态站:视频 + 指引 + 可复制提示词。后面可以做成多教程列表、账号、收藏提示词、一键复制、手机竖屏版等。